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Dear Public,

In April of 2003, I launched the site of Vasefinder. I admit my reasons for creating this site would probably fill volumes, and this is not the appropriate venue to relay all of my thoughts on the topic. Most important, I find the ceramic medium to be one of the most exciting forms of art to collect, study, and interpret and in recognition of this fact, I have built one of the largest online historical museums for the American Studio Movement (1930-1972), as well as make an avid attempt to introduce the public to some of the finest artists currently working in the medium through my writing.

We live in a world, where many mediums are celebrated upon their creation, yet I have found for the most part, the visual arts are not celebrated in the same light. It almost

seems that we wait for the artist to pass before we acknowledge his or her body of work, as an important part of our society. For me, a sculpture or pot created by the artist should be recognized not only as a living memory of its creator, but a glance at society from a different time and place. For me, their work also represents a statement now and for the future generations. I want to change the concept of the artist and his or her contribution to society. They are writing the history of culture through their design. It is important to study artists from the past to understand our history, yet it is even more important to study the current artists creating because they are our bridge to seeing the future. Meeting many artists over my life has made me a better person just in the fact that I understand my place on earth from a perspective I never knew was part of my being. The art is constantly changing, and we need to take note.

The monographs written on ceramic art seem to expound upon the same fifty to hundred artists, and this truly worries me in a society, where our history is based on a Movement of men and women. The writers make it sound like a few artists have made ceramic history for all, yet we know without the support of others in the medium that these stars would not be shining so brightly. I challenge the public to study the American Studio Movement from possibly a regional perspective or a particular design element and the cast of potters involved from the past and present. Realize you may be changing the way people think about this art form, as well as others. You, too, can have a voice in our culture for the present and future. Take interest in what you like and not what society tells you to like. Tell that special artist you care about their body of work, and even reflect the meaning of their art in your life. This is such a powerful dialogue. This site is for everyone because it represents our culture from a ceramic study of the past, present and future.

Kind Regards,

Charles A. Blim Jr., President

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